In Fear and Trembling (1843), Kierkegaard defined the concept of ‘leap of faith’ as a radical act of commitment to an idea or belief, regardless of whether or not it could be proven. He argued that rationalism cannot fully capture the complexity and nuance of human existence. The philosopher defended that subjective experience, including emotions, intuition and faith, played a critical role in understanding and navigating the world.

Departing from this idea, the sculpture can be read as a mountain or staircase that reflects the surroundings like a black mirror, incorporating the visitor and its surroundings into the work. Although the form is inviting, it can never be climbed due to the disorienting effect that the monolith’s shape and its dark reflexions cause on the viewer. 

The spectator is drawn into a participatory experience through bodily engagement with the piece: circling, shifting viewpoints, and participating in the play of reflections.

In collaboration with João Garcia Miguel

Leap of Faith, 2017
mixed media
230 x 280 x 220 cm